The reaction to the work was awesome. We got a lot of attention in the media and also had a day to meet the fans and talk more about the project. It was cool that people who had been following me for years were happy to see me together with Lokomotiv. Even fans from clubs like Zenit or Spartak would stop me in the street and say it was an awesome job and that they were jealous I was working with another club.
It’s not just about sport. It’s more about a new experience. I’m trying to show that, in a world with so many countries and languages and ways of communicating and different interests, we don’t need to be divided and that we can make a sort of fusion this way. That’s why sport is a very good connection to start to speak about art and art is a very good point to start to think differently about sport.
I’m inspired by people who mix graffiti, street art and public art and how it can be used in different technologies and mediums. We are always evolving and finding new ways to express ourselves and that makes me happy. I’m trying to create a script, with different styles for each letter form. It won’t be based on one language or tradition, but will be a mix of shapes and inspirations from different parts of the world. You could find inspiration for one letter from Asia, or another from the East or Egypt or something from Europe or Japan. I want to show how cultures can live in harmony. I call this philosophy of mine Calligrafuturism.
It took half a year to complete. It was crazy. We had to do a lot of tests on the paint and how to prepare the public space for painting. Russia has such a big difference in temperatures, so it wasn’t easy. The composition was tricky because we had to consider that people would be coming from every direction; we had to think about how they would find the centre of the artwork. We had to think about how the composition would help guide fans to the stadium and take them through the space in a playful way. You also have to consider different points of view – from the stadium, from on the square or even from Google Maps.
It’s my Calligraffiti. I can’t get someone to write for me, but a team helped with things like the paint. We used 5,000 litres – a crazy amount – and it took one or two months to get the right paint in the right colours and prepare it for the treatment we were using. A lot of people helped with the technical aspects, but I had to do the artwork because it is my own.
I was really proud when it was finished, but I was super tired because I worked every day, every day, every day to make it right, to make it cool. When I got the final picture of how it looked I was amazed.